Notes:
- All songs sent in between TSC 226 to 264 are eligible
- This is based on my personal opinion - I mean there's a reason it's MY LIST. Please do not take any offense from what I think of. Strictly my own thoughts
- Contrary to some weird belief, I don't believe that my music taste is better than anyone else's, although I have no idea if it's useful to post that because every year there are some idiots crying about their songs not being appreciated enough. This list is for you all to have some fun and laugh at possible comments I make.
- I also include some of my own entries, but don't worry, I'm not that arrogant to have more than 10 entries about myself
12. Elle King - America's Sweetheart - #Monrooster, TSC231, 3rd, 89 pts
Well, initially this entry won TSC231, but Mon's failure to vote before the deadline resulted in the deduction of the three highest point-scores from the final score, which caused the push from 1st to 3rd. However, it should stand that this was definitely the best song from that contest. I didn't fully enjoy it at first, while the buildup is brilliant, her vocal olympics are a bit tiring, especially when she has to strain her voice during the chorus. Eventually, I got quite used to it, and boy has it grown on me. I originally thought that this was quite inferior to Ex's & Oh's and as you can see by the rank, that also changed.
Hey Slice, you don't have to fucking wait anymore you cretin. Why? Because MO's "Final Song" (not her actual last song, thank god for that) is one of the best interpretations of tropical house of 2016. Why? The pop-tropical verses are created in a way that it flows so well with the pre-chorus and the tropical house drop, and the most surprising isong is that this amazing tune was sent by someone as vile as you, Slice. Also helping the case is probably the fact that last year she was in Bristol and I attended her concert - she had such great stage presence and energy and even her mediocre songs like "Drum" sounded good live. Let's just hope that her standards are still going to be high after that...
10. Margaret - Cool Me Down - #Fritzyyyyy, TSC226, 1st, 138 pts
The Polish public fucking sucks ass in terms of having any idea on how a proper Eurovision song should sound like. The viewers decided that it would have been better to send a boring 80s styled ballad with an extremely basic structure that even my mom was able to predict - the only reason why we got top 10 last year was mainly because of the viewers votes mostly being bombarded by Polish immigrants living abroad. Just imagine what could have happened had Margaret won the Polish National Selection, this brilliant Hey Mama-esque tune with Rihanna-styled vocals just sounds like a smash hit, and she found success in Scandinavian and Balkan countries with this banger, while Michal Szpak faded back to the nobody-gives-a-shit-about-you kingdom right after Eurovision as his song flopped.
While we're at Balkan countries, here's an AMAZING song that never loses momentum after the start. The verses are fucking EXTRAORDINARY and to top that, you have this infectious chorus with a beat that you are not going to forget for the next 20 years. It's a pity that the drop is just typical bunch of annoying synth noises, just think about how high it could have been on my top 40 list had the drop been changed to something more suitable. Also, another fun fact, this entry originally won TSC227 until Tolis made the decision to void several votes that favoured Era the most, giving the win to Alan Walker's also great "Faded," although it's obvious that Bonbon is the banger.
I knew PrincessTeePee would be peeved by Era's presence in yet another top list and there she is having commented before I even had time to point it out! :P
But my god. I still fucking LOATHE BONBON!